I know writers of multiple choice questions cover themselves by including verbiage such as: which choice best identifies...
Even so, I wonder how aligned that kind of question is to the spirit of a lot of good literature.
I just finished reading Mockingjay. It's intense, ambiguous in some ways, very rich material for discussing what one would do in one of the many difficult, no-win situations in the story.
So I started thinking about Suzanne Collins's point of view and purpose-- how she might express these if she were talking about her work, and how a multiple choice question writer for a major high-stakes standardized test would write a question... and how the multiple choice question writer would decide to write the correct answer, the one that best identifies the author's purpose (in one question) and point of view (in another).
And why it is considered valuable for a student to "correctly" choose the question-writer's best answer and not be allowed to compose a response that states and explains what the student sees as the author's positions. Of course that kind of stuff can't be graded by a machine and it allows for too much difference of opinion.
I'm kind of rambling here, but the thought that started this is:
I think lots of good fiction writers write to tell a great story and also to get their readers to think about ways of being and thinking vicariously. A reader's readiness ( on innumerable levels) will affect a reader's responses.
Our education system, our assessment "system" is obsessed with what isn't worth measuring (or isn't measurable), but is immeasurably worth pondering and discussing.
I wonder what Suzanne Collins would say about this, about why she wrote these three powerful books.
a) to make readers distrust absolute authority
b) to make readers shun violence as a solution
c) to make lots of money and increase her fame
d) to make readers value the lives they have and live them as fully as possible
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